Fat E

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Fat E was born against the backdrop of early Noughties American imperialism, the love child of badly-kerned hand-painted text and a disapproving queen named Padmé.

He has a long history of using both subversive content and media in his work, using spray painted stencils combined with pop icons to deliver his often bombastic rhetoric. Fat E’s latest work brings together his fascination of mathematical geometry, printing formulae and incongruous tessellations. He likes to create patterns that are objects within themselves but where the figure and field hold ambiguous positions. By changing variables these motifs are extrapolated to create fields of pattern that from a distance depict a thing of natural beauty but which, on closer inspection, move under your eye like something fly-blown.